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Re: “Reducing geese an urgent target,” editorial, March 13.

The editorial on reducing the numbers of non migratory Canada geese is dead on target. It correctly states that “federal crop protection regulations allow farmers to shoot between five and 10 geese a week.cheapnfljerseysonlinew Blinds and decoys must not be used, and the birds must be left where they fall.”

With these restrictions, hunters will never be able to take significant numbers of geese. These regulations are federal, not municipal. It is not our local governments that need to make changes to these regulations but the federal government.

The editorial and Juan de Fuca Electoral Area director Mike Hicks propose that “local municipalities relax their firearms bylaws.” Yes, there are changes that can be made by the municipalities, and Central Saanich council has already made changes that could serve as a model to other municipalities.

But the most important changes have to come from the federal government. If we are to reduce the numbers of troublesome geese, federal hunting regulations have to be changed to allow blinds, bait, decoys, increased bag limits and the ability of shooters to harvest and sell goose meat.

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photos by associated press

Mist is sprayed during a demonstration May 20 on 4DX effects at the CJ’s 4DX Lab in the Hollywood Section of Los Angeles. With domestic movie theater attendance stagnant in recent years, more theater owners are looking to provide immersive jolts to goose both moviegoers and box office revenues.

‘>photos by associated press

Mist is sprayed during a demonstration May 20 on 4DX effects at the CJ’s 4DX Lab in the Hollywood Section of Los Angeles. With domestic movie theater attendance stagnant in recent years, more theater owners are looking to provide immersive jolts to goose both moviegoers and box office revenues.

LOS ANGELES ? Mike Koenig sat back in his seat for a recent screening of “Mad Max: Fury Road.” But this was no ordinary theater chair.

As the theater darkened and death machines rumbled across the desert on screen, Koenig’s chair rumbled with them. As bullets whizzed by Furiosa, the movie’s heroine played by Charlize Theron, puffs of air shot out of Koenig’s headrest. Wall mounted fans in the theater gusted winds and fog machines pumped smoke from the mayhem.

The 46 year old software salesman’s Wednesday matinee was a “4 D” movie experience, the kind of rollicking thrill factory once reserved for theme park rides.

With domestic movie theater attendance stagnant in recent years, more theater owners are looking to provide these immersive jolts to goose both moviegoers and box office revenues. Live Stadium 14 in downtown Los Angeles. “If you ever rode bumper cars as a kid, you’d like this.”

Motion seats touting a “4 D” experience can sometimes occupy a row or two in an otherwise normal theater. Live can take up an entire auditorium decked out with strobe lights and pneumatic lifts.

Charlotte Jones, an analyst with research firm IHS, called “4 D” a growing “niche trend” that caters to people looking for an “event type experience, but on the flip side may lack universal appeal.”

With the summer movie season in full swing, movies like “San Andreas,” ?’Jurassic World,” ?’Ant Man” and “Mission Impossible: Rogue Nation” are being programmed by motion artists with the bumps and sways necessary for the seats to come to life.

It’s one way for theater owners to offer something that can’t be experienced at home for the average fan. Live, says the 100 seat auditorium that was retrofitted with the 4DX system last June has tripled its revenues, thanks both to greater attendance and the $8 ticket upcharge, not to mention the $4 add on if the movie is also shown in 3 D. who come for the theme parks and studio tours and drop by the 4DX theater for another thrill, he said. Live. suburb of Oxnard.

Canada’s D Box Inc. However, its seats only sway, vibrate and jostle, and are usually placed among nonmoving seats in auditoriums. While the less expensive installation cost has helped D Box grow quickly at theaters, there’s no snow, fog, scents or strobe lights. The range of motion is more subtle, though the company argues it’s also more refined than newer entrants.

“We are 15 years ahead of them,” said motion artist Jesse Auclair, during a visit to D Box’s encoding studio in Burbank.http://www.cheapnfljerseysonlinew.top The company’s experience stretches back to the time it made motion seats for wealthy home theater owners along with industrial grade car and flight simulators. “We’ve evolved so much, it feels so much better now.”

When multiple vibrations are layered on top of each other, for example ? say when a rumbling tank fires off a shot and you feel the shell exploding ? D Box encoders take care to avoid harmonic distortions by keeping vibration frequencies at least an octave apart, Auclair said. The company also has thousands of preset rumbles, which speaks to its experience in the field.

CJ4D Plex, behind the 4DX format, says its experience offers many more sensations than other seat movers. Leg ticklers reach out to give you a surprise tingle, lightning is punctuated with a strobe light. Even scents, from raspberry to burned tires, help audiences immerse themselves in the on screen world.

So far, motion seats are giving only a small boost to the box office, says Jeff Goldstein, executive vice president of domestic distribution for Warner Bros., which distributed “Mad Mad: Fury Road.”